“This piece furthers my interest in the reflective and porous qualities of a translucent membrane as investigated in my previous work on the theme of Narcissus. In shooting, I wanted to present Paul Outlaw with situations that were experiential, durational and unrehearsed—more about doing than acting. Playing with the Renaissance practice of drawing on a glass pane to represent perspectival space, Paul instead draws the outlines of his own reflection.” (Carole Kim)
"Outlaw on the vivid color video screen was a compelling, dominating presence, while he became a more mystical one when Kim toyed with his video on her larger background."
- Mark Swed, Los Angeles Times full review
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